论《长恨歌》中“当家作主”的城市文化理想

On the Civic Dream of "Being Master of One's Own Affairs" in the Song of Everlasting Regret

《长恨歌》的出版、获奖、改编曾在文艺界引起一次次轰动和争议,但也为我们的解读留下了无尽的空间。“当家作主”的诉求应当是人类普遍追求人生归宿的理想,上海城的人们也不例外,从城市文化理想的视角来看,小说更多地着眼于这个城市里男男女女的生命支撑,王琦瑶用她的行动,王安忆用她的文字,两个女人用两道不同的轨迹,画出了不同时代不同人生的上海人的生命诉求。

the publication and winning a prize of Wang Anyi＇s novel The Song of Everlasting Regret has once caused a time of stir in the circle of literary and art, while also left endless space for our interpretation and understanding. The demand of “being master of one＇s own affairs” must be a universal pursue of ideal life by all human beings among which Shanghai＇s people are not exceptional. Looking from the view of civic cultural ideal, the novel mainly focuses on the substantial life of men and women in this city. Wang Qiyao using her motion while Wang Anyi using her writing, these two women have drawn the picture of different Shanghai people＇s dream in different times and on different paths.