摘要
玛雅.黛润被誉为美国地下电影之母。她的电影三部曲《下午的罗网》、《梦中》与《变形时间中的仪式》从独特的女性视角出发,对于女性的“纳卡索斯”自我进行深层探索,抒发职业女性受到外界环境漠视的痛苦感受,寻找现代女性在当今社会中的生活与精神出路,不仅在题材与形式上为美国先锋派电影开辟了道路,而且还发出了女性主义的呼声。
Maya Deren, an American director and actress, is renown as “the mother of Americanunderground film”. Her Film trilogy Meshes of the Afternoon, At Land, and Ritual in Transfigure Time deeply explored woman 's Narcissus self, expressed woman's feeling against the ignorance of the world, looked for the way of modem female out of the social circumstance. They not only strongly influenced American avant-garde film in both theme andform, but also presented the awakening of the feminist consciousness.
出处
《南京师大学报(社会科学版)》
CSSCI
北大核心
2005年第5期130-134,共5页
Journal of Nanjing Normal University(Social Science Edition)