中国新生代电影后期创作转型论

Chinese New Generation's Movie Production at the Later Transitional Period

1999至2005年,中国新生代电影后期创作在艺术立场、创作理念和表现内容等方面发生了改变,坚持聚焦社会底层人士生存世相的艺术视角,多侧面表现中国现代化过程中普通人的精神风貌与心理诉求,并对文化价值、生死、信仰、贫困等问题作哲学层面的深度思考,从而实现了对主流意识形态的皈依。后期新生代电影创作努力在艺术个性和市场价值之间求得平衡,完成了由个人艺术形态向主流艺术形态的令人瞩目的转型。

From 1999 to 2005, great changes have taken place in the production of movies by the Chinese new generation at the later period, especially in the aspects of artistic stand, production ideas and forms of expression. The production of the new generation movies has been converted into the mainstream ideology by persisting in the artistic viewpoint of focusing on the lives of those people at the bottom of the society, displaying the spiritual features and psychological pleas of the ordinary people in the process of modernization from different aspects and exploring the nature of culture, life and death, religion and poverty from the philosophical field. And the production of the new generation movies attempts to strike a balance between artistic characterization and commercial value, thus having fulfilled the transformation from individual to mainstream artistic ideology.