摘要
冯至40年代初写出了中国第一本《十四行集》,集中体现了他的诗歌美学探索。他认为,“诗能解释自然”,并有自身“公开的秘密”;诗应该以孤独感等人生经验为创作动机与表达内容,展示富有特殊的审美韵味的个体生命体验。在创作中他坚持“愿意在一定形式的约束下诗句能生动活泼,舒卷自如”的美学原则。
Feng Zhi wrote the first Sonnet Collection in early 1940s which embodies his exploration in aesthetics of poetry. He thought that “poems could explain nature” and “poems had self public secrets”. Poemsshould use human experience such as solitary feelings and so on as creative motive and expression contents to express individual life experience with special aesthetics. In his poems, he stuck to aesthetics principle to write his poems as vivid and he pleases under the restriction of some forms.
出处
《重庆工商大学学报(社会科学版)》
2005年第4期116-119,共4页
Journal of Chongqing Technology and Business University:Social Science Edition
关键词
冯至
十四行诗
美学思想
Feng Zhi
sonnet
aesthetics thoughts