摘要
论文从审美经验的视域进入，对“童话”这种常见文体以“世界、奇迹，人物、隐喻”四个关键词为研究理路做了新的美学阐释。主旨在于揭示过去一直被遮蔽的童话艺术质素，试图抵达童话本体论的某些层面。
Entering from the view of aesthetics, the paper gives out the new aesthetic explanation for this common literary form ——fairy tale, using four keywords： ＂world, miracle, character, and metaphor＂as the train of thought. The purport is to disclose the artistic nature enveloped in the past and try to reach some level of fairy tales＇ ontology.
