摘要
南朝梁元帝萧绎,虽然没有像同时代刘勰的《文心雕龙》、钟嵘的《诗品》那样“体大而虑周”的诗学专著,但他在对诗的界定中对诗的情感力、文采美、声律美等审美特性的体认,却表征了诗学审美本体论的完全成熟,因此,其诗论是中国诗学审美本体论链条上的一个重要结点。
Xiaon Yi,the emperor of Nan Dynasty, although he didn't have his own systematic monograph on poetry like Liu Xie, having his own Win Xin Diao Long, Zhong Rong, having his Shi Pin, he himself represented the highest level in the explaining of poems on feeling, elegancy of writing style, rhythm and other aesthetic features of poems at that time. Thus, his poetic theory is a very important unit in the long chain of Chinese aesthetic poetic theory.
出处
《滨州学院学报》
2005年第4期74-76,共3页
Journal of Binzhou University
关键词
萧绎
诗论
审美
情感
形式美
Xiao Yi
poetic theory
aesthetic sense
feeling
form beauty