“新感受力”的当下意义

The Contemporary Meaning of “New Sensibility”

苏珊·桑塔格“新感受力”概念是对后现代艺术现象的应对策略。从现代艺术发展角度看,在艺术与科技的相融过程中,艺术已经转换为泛文化现象,传统哲学的逻各斯中心主义所设立的概念对立、界限、不平等等等都被消解了,审美的感性内涵获得了解放。所谓“新感受力”之“新”,是针对传统的对内容阐释的旧感受力而言,是回应了泛文化新现象;更重要的是,它肯定了人对世界把握的多元性,强调了感性在认识论中的地位和价值。

The concept of ＂new sensibility＂ by Susan Santag is a strategy in coping with post-mod- ernist artistic phenomena. In the perspective of the development of modern art, art has been transformed into a pan-cultural phenomenon in the process of merge between art and science, and the concepts like opposites, limits, and inequality, etc. , established by logos-centralism in traditional philosophy has been deconstructed, and the aesthetic perceptual connotation has been emancipated. The so-called ＂new＂ in the ＂new sensibility＂ versus the old sensibility in traditional interpretation of content echoes the new phenomenon of pan-culture. Mostly important is that it recognizes the multiplicity of human being＇s sense of the world, and emphasizes the status and value of perception in epistemology.