刘勰《文心雕龙》的汉乐府研究

The Research on Music Songs in Han Dynasty in Wenxindiaolong By Liu Xie

刘勰《文心雕龙·乐府篇》是“乐府史”研究的开山之作。刘勰从诗旨和诗艺的双重标准出发,确立了“雅义丽辞”的歌辞观,对汉乐府持否定态度。刘勰还从正统乐教观出发,崇雅斥郑,确立了“雅正平和”的乐曲观,对汉乐府进行了严苛的批评。刘勰诗、乐分论,“乐府观”较正统,“诗歌观”却较为新变。刘勰持论在诗、声两方面都显得过于严苛,但其“务塞淫滥”的宗旨对当时诗坛的绮艳之风有针对意义,开创之功也不可没。

Wenxindiaolong by Liu Xie is the first work in the research on Yuefu＇ s history. Setting double criterions both in content and artistry of poet, Liu Xie holds such a view on lyrics with orthodox content and flowery language. He has a low opinion of the music songs in Han Dynasty. With the orthodox .concept of music, Liu Xie holds the standard poems in high esteem while the popular poems in low position. He sets the orthodox concept of music and gives a severe criticizes to the music songs in Han Dynasty. Liu Xie holds different concept of music. The concept of Yuefu is orthodox while the concept of poet is new. Liu Xie is excessively severe both in words and music but the major idea to put an end to the decadent poems is necessary for the Parnassus of the day. The creative contribution is forever.