逻辑的解构、技法的互融、风格的跨越——析亨策《第三交响曲》中的技术互融现象

Deconstruction of Logic, the Fusion of Techniques and the Spanning of Styles——the Analysis of Henze's Techniques Fusion in his Symphony No.3

第三交响曲是亨策早期交响乐创作中的代表之作。在这部作品中,序列技术规则的解构、序列与主题动机的互渗、传统和声体系与固定中音的“移动和弦”的结合颇具特点,印象风格、新古典主义和爵士风格之间的跨越也十分突出。通过这些探索,作曲家在对传统交响曲模式进行消解和反叛的同时又构建了一种新的平衡与稳定。

Symphony No. 3 is the representative work of Henze＇s early symphonies. In this work, the composer applies several different techniques, such as the deconstruction of serial rules, the fusion of serial and motives, the combine of traditional harmony and motional chords, etc. The work also spans among Impressionism, Neo - Classicism and Jazz styles. Then the composer established a new balance and stabilization by destroy the traditional elements.