走向当代形态的彝族散文创作

Yi Writers' Prose Writings in Contemporary Style

当代彝族散文整体上具有写实倾向,产生了一批富于表现力、充满激情与力度的杰作;同时,拘泥于生活现实对艺术表现的自由也有所限制,文学观略显单一。以写实为基点,一些当代彝族作家逐渐走向“文化大散文”,深掘少数民族审美特质,贡献出许多新的文学意象。因此,突破单一化的文学观、走向更加自觉的文体探索、开掘民族审美文化的新内涵,产生自己的文体家,是彝族散文走向当代形态的重要环节。只有获得文体的自由与自在,当代彝族散文才能够超越民族风情之展现,对自身民族深厚的审美意识有一种新的认知,进而为中国文学艺术做出不可替代的贡献。

Contemporary Yi writers＇ prose writings, on the whole, are in realist trend and quite a number of them are expressive, passionate and forceful. Yet, they appear monotonous in perspectives,having stuck too fast to the reality of life and thus restrained somewhat their free artistic expression. With realism as the keynote, some writers have turned to “big prose of culture”,digging deep into minorities＇ aesthetic traits and putting out scores of fresh imageries. Therefore, to break through monotony of perspectives, head for more serf-aware probe into stylistics, and bring out the new dimensions of minorities＇ culture of aesthetics, will make it possible to produce Yi people＇sown stylists and for them to embrace the contemporary style of prose.