应如何探讨“艺术作品的本源”——海德格尔艺术思想的内在理路分析

How to Investigate the Origin of the Work of Art?——Analysis of the Intrinsic Ideology of Heidegger's Artistic Theory

在其著名的《艺术作品的本源》一文中,海德格尔另辟蹊径对艺术问题进行了全新的思考:一、实践了胡塞尔现象学的思维态度,运用了现象学还原的方法,改变了追问的路线——从“物到作品”返回到“作品到物”;二、基于对其“存在的真理”之哲学主题的关怀,从“真理的本质”方面思考艺术作品的本源问题,在关于“作品与真理”和“真理与艺术”的讨论中,阐明了艺术作品本源的追问对理解“存在的真理”问题所具有的重要意义和指示。

Heidegger makes an in-depth study ot tats philosopnlcal tnemes of the truths of existence by inquiring the origin of the work of art, and shows his characteristic way of thinking to us in his book-The Origin of the Work of Art. Firstly, He follows Husserl＇s phenomenological methodology and puts the attitude towards thought into practice. In a debate about methods of his inquiry, Heidegger changes the way of his thinking—— “work to material” instead of “material to work” , not influenced by some known concepts. Secondly, Heidegger ponders over the origin of the work of art in the fields of essence of the truths for his philosophical themes.In his discussion of “the work of art and truth” and “truth and art”, Heidegger sets forth that his inquiries of the origin of the work of art is of great significance and abundant indications which would certainly help us understand the truths of existence.