摘要
从艺术创新的角度考察苏轼对韩愈诗歌的承传创变,揭示韩诗之变与苏诗“变中之变”的关捩点皆“以文为诗”。作为诗歌革故鼎新的一大法门,“以文为诗”在苏轼手中得到了新拓展。苏轼对韩诗承袭因革的背后尚有深层的诗学意义。有别于丰神韵度的唐诗,典型意义的宋诗是一种以思理筋骨见长的新诗格,新诗格在苏、黄手中得以定型确立;而这,与他们借鉴韩愈的“以文为诗”有一定的艺术关系。
As an approach to poetic reform and innovation, “Taking Article as Poem” has been fully practiced by Su Shi to an unprecedented level. There is something deeper behind Su Shi's learning from and reforming Han Yu's poems. Different from the plump poetry in the Tang Dynasty, poetry in the Song Dynasty is rather skeletal. Su Shi and Huang Tingjian established the new poetic style, which had certain artistic relation to Han Yu's “Taking Article as Poem” doctrine.
出处
《四川大学学报(哲学社会科学版)》
CSSCI
北大核心
2005年第5期87-94,共8页
Journal of Sichuan University:Philosophy and Social Science Edition
基金
安徽省人文社会科学研究项目"宋代韩愈诗歌接受史研究"(2004SK052)。
关键词
韩诗
苏诗
唐宋诗流变
以文为诗
Han Yu's poems
Su Shi's poems
change in poetry in the Tang and Song Dynasty
Taking Article as Poem