徐志摩后期美学思想中的古典主义倾向

The Classicist Tendency of Xu Zhimo's Aesthetic Concepts in His Later Years

徐志摩后期美学思想也像梁实秋、闻一多一样,有着从浪漫主义转到“多少近于古典主义的立场”,这主要表现在《新月的态度》、《秋》、《猛虎集·序》等文章上,但学界对此尚未有过论析。其转变的原因是,自1926年起,徐志摩像闻一多一样受到梁实秋所宣扬的白璧德新人文主义的影响。其古典主义倾向着重在艺术的理性节制、标准的规范、常态的人性等,即总体上在艺术的“健康”与“尊严”的审美追求中展示出来。

Similar to Liang Shiqiu and Wen Yiduo, Xu Zhimo had somehow changed from romanticism to classicism in aesthetic concepts in his later years. It can be seen mainly in his The Attitude of the Crescent, Autumn and the Preface to the Collection Tigers, though it has so far failed to attract the attention from researchers. The reason for the change is that he, like Wen Yiduo, was influenced by Irving Babbit＇ s neo-humanism advocated by Hang Shiqiu after 1926. The classicist tendency is manifested in healthy art and dignified aesthetic pursuit such as the rational restriction of art, the establishment of standards and the normal human