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皮日休及第前后思想和创作特色及原因

Pi Rexiu's Creative Styles Around His Pass of the Imperial Examination
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摘要 皮日休的创作以咸通八年进士及第为界,呈现出两种不同的风格。前期行卷之作《皮子文薮》较多刺世讽时;及第后吴中唱和之作《松陵集》多表现个人生活。艺术表现的不同目的与需要、诗人思想性格的转变、社会生活环境的变更与传统的汇融等,都在一定程度上影响了诗人的创作。 Pi Rixiu' s poetry presented different styles before and after he had passed the imperial examinations in 887 AD. While his Pizi Wensou was rather socially ironic ;Tne Collection of Songling was more of a personal mood. The different styles in his poetry are more or less influenced by the poet' s pursuit of and needs for expression, the change of his ideas and living environments and the acceptance of tradition.
出处 《厦门大学学报(哲学社会科学版)》 CSSCI 北大核心 2005年第5期55-60,共6页 Journal of Xiamen University(A Bimonthly for Studies in Arts & Social Sciences)
基金 教育部社会科学基金项目(JAP750.11-44023)
关键词 皮日休 晚唐诗 行卷 唱和 Pi Rixiu, Poetry in late Tang Dynasty, Xing Juan, responsory
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参考文献5

  • 1皮日休 萧涤非 郑庆笃整理.皮子文薮[M].上海:上海古籍出版社,1981..
  • 2彭定求.全唐诗[z].北京:中华书局,1960..
  • 3王谠 周勋初校证.唐语林校证[M].北京:中华书局,1987..
  • 4丁如明 校点.唐五代笔记小说大观[z].上海:上海古籍出版社,2000..
  • 5皮日休 陆龟蒙.松陵集[z].上海:上海古籍出版社,2003..

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