摘要
文章从诗与格律的内在联系阐述了汉语格律的本质意义———音乐性。并通过对唐诗和宋词的比较分析,指出诗与格律应先诗而后格律。但既要严格地按照格律写格律诗就必须在格律问题上斤斤计较,又要以诗情诗意为第一要素,正确处理诗与格律之间既统一又矛盾的辩证关系。
The article, from internal relation between poem and rhythm, illustrates the essential meanings ot Chinese rhythm——music and by comparing and analyzing Tang poetry and poetry of the Song Dynasty, it points out that poem should be before rhythm, but when rhythm poem was written according to rhythm strictly, we should pay more attention to rhythm, meanwhile, we also should regard poetic flavour as first essential factors, deal with the relation between poem and rhythm.
出处
《忻州师范学院学报》
2005年第1期1-6,共6页
Journal of Xinzhou Teachers University