摘要
童话大师安徒生不仅是孤独的,而且是矛盾的。总体上看,这种矛盾体现在他的现实经历与他的梦想之间的对立;在童话的内在意蕴上看,这种矛盾体现在他作品中儿童精神气质的自然流露与成年思悟的深刻表达之间的对立;在创作手法上来看,这种矛盾体现在“快意”的民间书写与“诗意”的文学创作之间的对立。这三个方面虽然是对立的,但同时又是统一的,它们统一在作家的本色童心之中。正是在这样的对立统一之中,安徒生的童话才如此的富丽而单纯。
Andersen, the master of fairy tales, is not only in loneliness, but also in contradiction. Generally speaking, there is contradiction between his actual life and dreams; concerning the connotations of his works, both the natural revelation of children' s spirit and the profound expression of adults' thinking contrastively exist; as for means of creation, not only the casual style in fork Writing but also the poetic creation of literature are simultaneously employed. These three aspects are contradictory but also uniform as well in the writer's childlike innocence. It is just in this contradiction and unity that Andersen's works can be so splendid and simple, so bright and profound.
出处
《昆明师范高等专科学校学报》
2005年第3期16-18,21,共4页
Journal of Kunming Teachers College
关键词
安徒生
童话
矛盾
童心
Andersen
fairy tales
contradiction
childlike innocence