在“虚伪”和“真实”中越界——对余华小说的一种解读

Breaking the Bounds Between “False” and “True”—— Comment on Yu Hua’s Novels

余华的前期先锋作品带有浓郁的文本实验性,对形式和技术极度迷恋,通过对常识的反动及对文本的颠覆,实现了一个非理性的世界,展露了余华对“虚伪”形式的极端偏好。而在他后期的《活着》和《许三观卖血记》等作品中,作者开始关注民间,对表现内容和形式重新选择,回归理性世界,呈现出返朴归真的艺术追求。

Yu Hua＇s earlier works are of strong text experiments as he was extremely infatuated with the form and technology at that time. Beeause of his objeetion to general knowledge and subversion in texts, there appears a world of unreason in his works, whieh reveals Yu Hua＇s favoritism to “false form”, but in his later works, sueh as “Living” and “Xu San - guan Sells Blood”, the author begins to pay elose attention to the people, the reseleetion of content and form and the rational world, being in pursuit of art of returning to the real world.