摘要
王维诗中的“松石”意象深受佛、道典藏譬喻、暗示的影响,常常与“水月”、“流泉”、“飞鸟”等喻示“无常”、”无我”、“寂灭”的意象对用,象征着一种与之抗衡的静止的贞定的力量,是诗人契道的心灵语言。这种贞定妙境的获取,经历了由喧嚣到空寂,再由空寂到贞定的宗教、审美体验过程,是经验此美感的主体生命所经历的抽象钵验之呈现,这个抽象体验即牟宗三论审美品鉴时所谓的“妙慧”。
The imagery as “pine and stone” in Wang Wei＇s poems was influenced by the metaphor and hint in Buddhist and Taoist scripture. It symbolized the meditative mind by means of utilizing the antagonistic imagery, such as “moon in water”, “spring in running”, “bird in hovering”, etc. and was his language as realizing the truth . It obtained by a complicated process , and this process was the Wonderful Realizing Mr. Mu Zong-san once said.
出处
《齐鲁学刊》
北大核心
2005年第5期74-78,共5页
Qilu Journal
关键词
王维诗歌
松石
空寂
贞定
妙慧
Wang Wei＇s poems
pine and stone
silence
equanimity
consciousness
