摘要
在西方探索电影的簇拥下,近二十多年的中国电影创作,一直潜存着一种个人化的、形式主义的风尚,这种追求虽然促成了中国电影多元化、艺术化发展局面的形成,但它也使中国电影不断地偏离大众艺术的轨道。这种个人化追求的背后,反映出的是创作理性的倾斜与迷失, 因而,应该重新以传统叙事为基础,来匡正当下业已倾斜的中国电影叙事。
The author maintains that China＇s movie creation in the past two decades has defected in a too personal and formalistic mode precipitated by the avant-garde movies of the West. While leading China＇s movies onto a pluralistic path, this mode has divorced the movie industry from its audiences and what lies behind is the loss of the rational orientation in artistic creation. Therefore, to do justice to China＇s movie industry, measures ought to be taken to bring back the conventional narrative techniques.
出处
《兰州大学学报（社会科学版）》
CSSCI
北大核心
2005年第5期14-20,共7页
Journal of Lanzhou University（Social Sciences）
基金
国家社科基金(02B2W051)资助
关键词
中国电影叙事
形式主义
西方探索电影
传统叙事
China＇s movie narrative
formalism
avant-garde movies
conventional narrative
