摘要
康德美学的主体性是一个具有现实意义的话题,在大众文化的喧嚣与躁动中,美学与艺术的主体位置严重滑落,审美—生活化或者生活—审美化正在将艺术主体放逐到边缘地带,听命于自然生命本能的召唤。为此我们应重新高扬主体性美学,恢复审美对人类心灵的铸造意义。
The subject nature of Kant aesthetics is a topic with practical meaning. Among the roars and the restless movement of mass culture, the main body position of aesthetics and art seriously drops; aesthetics-living, or living-aesthetic is driving the art main body to the periphery to obey the call of the instinct of natural life. For this reason, we should again uphold high the subject aesthetics and recover the casting meaning of aesthetics to human soul.
出处
《郑州大学学报(哲学社会科学版)》
CSSCI
北大核心
2005年第5期44-46,共3页
Journal of Zhengzhou University:Philosophy and Social Sciences Edition