摘要
《阿毛姑娘》是丁玲早期的作品,历来不为人重视,关于它的解读也是歧义丛生。产生这种现象的原因是叙述者叙述姿态的摇摆,这与作者在都市与乡村价值判断上的焦虑密切相关。但是在小说的后半部分,作者却偷梁换柱,将这种焦虑转换成了关于幸福的思考,造成文本前后意义断裂与人物性格的无法始终如一,这是20世纪中国作家命定的叙述。
Ah Mao Girl is the works of Ding Ling' s in his early stage, but it does not always attach importance to the critics, whose surveys are various. The cause of this kind of appearance is given rise to be the narration swaying of gesture, which relates to the author' s anxiety between the value of the urban and the rural. But at the second half part of novel, the author changes the anxiety into the happy consideration, which creates the meanings split of the text and inconstant characteristic. In the 20th century the Chinese writers' narration is determined by fate.
出处
《贵州师范大学学报(社会科学版)》
2005年第5期90-93,共4页
Journal of Guizhou Normal University(Social Sciences)
关键词
城乡
抉择
焦虑
转换
the urban and rural
choice
anxiety
change