“斯人真有道,名与日月悬”——陶渊明在元代的接受探析

Analysis of the Acceptance of Tao Yuan-ming in the Yuan Dynasty

元代对陶渊明的接受从多方面显现出来。元曲中陶渊明成为广泛援引的创作题材,“和陶”在元代文坛成为一种非常普泛的文化现象,而在元代诗论家们的评介体系中,陶渊明也高于谢灵运而广受推崇。这与元代诗风朴素、自然,不尚文采的时代审美风潮有关,也与缘于元人尚隐的心理基因。

The melody of the Yuan acceptance of Tao Yuan -ming in the Yuan Dynas Dynasty was displayed in different aspects. In the ty, Tao Yuan - ming became the subject matter which was widely cited in creation. To become a kind of very general culture phenomenon in literature of the Yuan Dynasty, and among the commentary system of the Yuan Dynasty＇ s poetry critics, the status of Tao Yuan - ming was higher than Xie Ling - yun＇ s and he gained widespread admiration. This phenomenon has something to do with the time＇ s aesthetic trend of the Yuan Dynasty which was simple, natural and gorgeous composition style. This also can be due to the psychic gene of the Yuan Dynasty admiring seclusion （隐居）.