主体视域中的“穷而后工”

An Analysis of "Qong Er Hou Gong" from the Angle of Subjects

“穷而后工”是我国传统文论中的重要命题。从主体视域角度看,这一文学现象形成的原因主要有三:从文学本体看,“穷”后之作往往情深意切,恰好暗合了文学审美价值的体现需要作品具有真情实感的要求;从作家主体看,“穷”之潦倒虽磨砺了文人身心,但却成就了文人的文心,激起他们创作的欲望;此外,中国传统文论强调“知人论世”与“真善美”统一的解读方式,这为“穷而后工”现象的形成奠定了深厚的阅读语境。

＂Qong Er Hou Gong＂ is an important proposition in Chinese traditional literary theories for three reasons from the angle of subject： From the angle of literature itself, ＂Qong Er Hou Gong＂ only goes to accord with literary aesthetic appreciation values that literary work should be revelation of the authours＇ true feelings. From the angle of the authors, poverty and frustrations of scholars lead to splendor of Chinese literature. Furthermore, ＂Qong Er Hou Gong＂ is understood in the profound context of Chinese literary theories which stress ＂Commenting on an event according to the people who involve in it＂ and ＂the true, the good and the beautiful＂.