摘要
严羽是个唐诗崇拜者,其“以盛唐为法”的诗论思想是针对江西诗派以及“四灵”、江湖诗人的诗弊而提出来的,有其现实针对性,严羽的诗论思想奠定了后世唐诗学的主导倾向。该文梳理严羽的唐诗和宋诗的含义;对其“词理意兴”论中的“理”和“意兴”两个概念进行了辨析;对严羽诗论思想的深刻性与矛盾性进行了实事求是的分析和评价。
Yan Yu is a Tang—Poetry adorer and his “modeling—Tang”view on poetry was brought forward to counter the defects of the poems of Jiangxi Poetry Genre,“the four poets in Southern Song Dynasty ” and other poets. His poetry view was pertinent to the reality and established the dominant tendency of the Tang Po- etry in the later ages. This paper defines the connotation of Yan Yu's view on poetry in dynasties of Tang and Song, analyses the two concepts of “thought” and “image” and evaluates the profundity and contradiction of Yan Yu's poetry view.
出处
《嘉兴学院学报》
2005年第5期29-33,共5页
Journal of Jiaxing University
关键词
严羽
唐诗
宋诗
理
意兴
Yan Yu
poetry in Tang Dynasty
poetry in Song Dynasty
thought
image