摘要
铜鼓装饰纹样及铜鼓造型伴随着铜鼓的发生而发展。它是实用与审美的结合,技术与艺术的结合,造型与装饰的高度统一,是中国西南少数民族先民的生产生活、民族习俗、图腾崇拜、价值观念等方面的真实写照,也是西南少数民族先民文化艺术形态和思想意识的具象或抽象的再现。
The decorative patterns on bronze drums and their shapes developed together with bronze drums. They are the combinations between pragmatism and aesthetics, between technology and art, between shape and decoration. They are not only the real presentations of productions, life, folk customs, totem worship, and value concepts of the minority ancestors in Southwest China, but also the concrete or abstract echoes of their cultural and artistic forms and ideologies.
出处
《广西民族学院学报(哲学社会科学版)》
CSSCI
北大核心
2005年第5期89-93,共5页
Journal of Guangxi University For Nationalities(Philosophy and Social Science Edition)
关键词
铜鼓
纹饰
图腾
崇拜
bronze drum
decorative pattern
totem
worship