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论霍桑的审美现代性 被引量:14

Hawthorne’s Aesthetic Modernity
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摘要 美国浪漫主义作家霍桑一直是批评界关注的焦点之一。其主要原因在于他文学创作的审美现代性,即他以敏锐的感悟力,从相反的方向去反思现代性,去反思物化文明对人的威胁和统治。他不仅从现实出发展现人在现实世界的自我失落、孤独和异化,从文化的角度展开对“恶之人性”的批判;而且以独特的审美视角,努力寻求一种摆脱这种异化状态的途径,希望通过回归乡土与自然,以实现“人诗意地栖居”的完美状态,从而获得人类的精神家园。 Hawthorne, the American romantic writer, has always enjoyed a high literary status and reputation as a classic writer, but his literary importance also lies in the aesthetic modernity of his literary creation. With his keen insight he has speculated in a negative way on modernity, that is, the threat of the materialized civilization to man and its control of man. He shows people’s loss of self, alienation and solitude and criticizes man’s evil nature. Moreover, he attempts to find, from his unique aesthetic perspective, a way to get rid of alienation: he hopes to return to his native land and nature so that he can live poetically in his spiritual homeland.
作者 方文开
出处 《外国文学研究》 CSSCI 北大核心 2005年第5期133-138,共6页 Foreign Literature Studies
关键词 霍桑 审美现代性 异化 精神家园 诗意地栖居 浪漫主义 文学创作 现实世界 审美视角 感悟力 Hawthorne aesthetic modernity alienation spiritual homeland
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  • 1See T. W. Adorno, Aestheic Theory( London: Rouledge & Kegan Paul, 1984)321.
  • 2See Rita K. Gollin, "Nathaniel Hawthome,"The Heath Anthology of American Literature Vol. 1. ( Lexington: D.C. Heath and Company, 1994)2116.
  • 3马泰·卡林内斯库 顾爱彬译.《现代性的五副面孔》[M].商务印书馆,2002年版.第47-53页.
  • 4霍桑.“胎记”[A].胡允桓译.《霍桑小说全集》第3集[C].合肥:安徽人民出版社,2000年..
  • 5霍桑.“红字”[A].胡允桓译.《霍桑小说全集》第2集[C].合肥:安徽人民出版社,2000年..
  • 6Kazin, Alfred. God and the American Writer. New York: Alfred A. Knop Publisher, 1997.
  • 7斯通贝克.“威廉·福克纳与乡土人情”[A]..《福克纳中篇小说选》[C].北京:中国文联出版社,1983年..
  • 8Tuner, Arlin. Nathaniel Hawthorne. New York:Barnes and Noble, 1961.

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