摘要
色彩的中间色犹如音乐的半音,色彩的表现力很大程度上来自丰富的中间色调。本文研究中间色的美感,重点在油画的中间色。通过研究古代大师作品的中间色,探求画中有音、音中有画的理想境界。
The demitint in the colors is the same as the halftone in misic, the expressive force of the color comes mainly from the rich demitint. The essay investigates the aesthetic feeling in general, the demitint in the oil paintings in particular. The author expects to seek for the ideal area of combining the music with painting by inquiring into the demitint in the works of ancient masters.
出处
《南京艺术学院学报(美术与设计)》
北大核心
2005年第4期36-38,共3页
Journal of Nanjing Arts Institute:Fine Arts & Design