摘要
本文探究了五四新文学功利性与审美性互渗之风貌形成的根源,在于五四激进主义两种“革命”话语的对话和碰撞。文章指出,由于五四激进文人所受政治因素的深刻影响和对文学艺术本质规律的思想认识,初生的新文学正是以文学与政治相互胶着、功利与审美彼此渗透的独特姿态,向世人展示了中国文学现代化进程的独特面貌。
The mixture of utilitarianism and aestheticism in the May 4th Movement Literature resulted from the dialogue and conflict between these two radical revolutionary discourses. The first - born literature, which was formed under the influence of the radical lettermen who had distinct political ideas and literary viewpoints, was characterized with a conglutination between literature and politics, and a mixture of utilitarianism and aestheticism, thus taking on a unique look during the course of modernization of Chinese literature.
出处
《中国文学研究》
北大核心
2005年第4期71-74,共4页
Research of Chinese Literature
关键词
五四文学
激进主义
功利性
审美性
May 4th Literature
radicalism
utilitarianism
aestheticism