沙鸥“主体外化”抒情诗本体观念的形成轨迹——华文诗歌传统整合个案研究之三

Forming history of Sha Ou's "Subject Outward",an essential idea of lyric poem ——The third case research into traditional integration of Chinese poems

沙鸥对抒情诗抒情本质的认识是一个渐进的深入过程。20世纪40年代方言诗写作时期是不自觉的;50年代八行体写作对中国古典诗歌美学传统的自觉领悟、对抒情诗本质特征的表层解说主要是在诗歌评论中进行的;80年代中后期到90年代初期,接受西方现代派诗学影响又有意继承中国古典诗学传统及早期现代新诗传统进行“新体”创作(爱情诗为代表),并从容提出现代抒情诗的“主体外化”抒情功能说。

Sha Ou＇s recognition of the essence of lyric poetry is a gradually deepening process. The writing of dialect poems is not conscious in 1940s but the writing of octave in 1950s is a conscious understanding of aesthetics tradition of ancient Chinese poems. The explanation of the essence character of lyric poem is implemented in poem reviews. Through the creations with combined styles of modem western poems, traditional classic poems and the early modem poems, the poets in middle and late 1980s to early 1990s advanced the theory of lyric poem： Subject Outward function of lyric poetry.