“吴中诗风”与皎然“三格四品”说

MidWu Poetic Style and Jiaoran San Ge Si Pin

“安史之乱”后,唐诗创作进入到一个相对沉寂的时期。而在此时的江南吴中地区,却活跃者一批身份各异的诗人,他们以诙谐善辩、潇洒自适、放荡不羁的诗歌创作风格为当时笼罩在盛唐诗歌阴影下的中唐诗歌注入了一股新风,为大历、贞元后的中国诗歌指出了一条创新、发展的路径。皎然《诗式》中的“三格四品”说正是对“吴中诗风”的理论总结,它的形成、内涵和“吴中诗风”是紧密不可分的。因此,研究“吴中诗风”,不能不对皎然的“三格四品”说作深入分析。

After Anshi Insurgence in Tang Dynasty, the creation of Chinese poetry entered its valley. Nevertheless, in the Mid- Wu region in the south part of the Yangtze River, a group of poets with different social status, activated in the fields of poetry creation. With their humorous, smart, and unconventional style, they brought something new to the Mid - Tang poetry under the shadow of Prosperous Tang poetry, and pioneered a creative trend for the Mid - Tang poetry. The Jiaoran San Ge Si Pin theory is exactly the theoretical summary of the Mid- Wu poetic style. Its formation and connotation are closely related to the Mid-Wu style. Therefore, the Jiaoran theory must be taken into account and analyzed deeply if we study the Mid- Wu poetic style.