浅论当代中国版画的学院性

On the Academicism of the Contemporary Chinese Print Painting

当前,中国新兴版画进入学院性时期,其主要表现在:版画创作队伍正越来越集中在高等院校;版画质量有了很大提高;版画创作更加注重版画本体语言与艺术形式探索,淡化地域性、风情性等等。如何克服学院性蕴含的局限性,发挥学院性的专业性、知识性和综合性的优势,是当前中国版画教学面临的一个重要课题。

The new Chinese print painting has entered the era of academicism at present. The main characteristics are are： there are more and more professional print- painting creators in universities and colleges; the qualities of print paintings have been improved greatly; artists pay more attentions to the language of print painting itself and artistic forms and pay less attentions to regions and local conditions and customs. How to overcome the limitation implied in academicism and to make good use of the advantages in profession, knowledge and comprehension is an important task before the present- day print painting teachers in China.