摘要
朝鲜王朝是朝鲜历史上诗歌理论发展的顶峰时期。这一时期的许筠诗歌批评涉及到了唐、宋、明诗以及朝鲜历代诗歌。他以唐诗性情本质作为诗歌批评的标准,崇尚唐诗,轻视宋诗,肯定明诗。在对朝鲜历代诗歌的批评上,体现了他的民主、民族意识。
The development of Korea's poetical theories witnesses their zenith in the Yi Dynasty. Ho Kyun's poetic criticism involves Korean poetry as well as Chinese poetry in the Tang, Song and Ming dynasties. Employing the temperament Tang poetry as his critical criteria, he worships Tang poetry, despises Song poetry and affirms Ming poetry. And Hor s criticism on Korean poetry reflects his democratic and national awareness.
出处
《东疆学刊》
2005年第4期36-38,共3页
Dongjiang Journal
关键词
许筠
唐诗
宋诗
明诗
朝鲜诗
批评
性情
Ho Kyun, Tang poetry, Song poetry, Ming poetry, Korean poetry, criticism, temperament