摘要
中国电影发端于向大众文化倾斜的创作文化形态,在经历了短暂的宣传与商业本位并存的格局后转变为泛政治化一元格局,及至新时期艺术本位逐步确立、商业传统艰难复归之后,才真正形成了多元并存相互融合的创作文化格局。不同时期中国电影创作的兴衰得失告诉我们,只有与时俱进,在顺应社会历史文化趋向的基础上,从时代性角度确立正确的创作文化意识,才能繁荣创作,取得艺术与商业的双丰收。
Chinese film started from the creation cultural form that favoured popular culture. After going through the temporary coexistence of propagendist and commercial standards, it turned into the monistic setup of pan-politicization. It is not until the new period when the art standard has gradually been established and the commercial tradition has arduously been restored, that the creation cultural setup has really been formed, in which polyelements exist side by side and mix together. The ups and downs of Chinese film creation in different periods tell us that only by keeping abreast with the time, taking as the basis the conformity with the social, historical and cultural tendency, and establishing the correct creation cultural consciousness from the angle of the epochal character, will creation be prosperous and can both the art and the commercial harvests be available.
出处
《江汉大学学报(人文科学版)》
2005年第5期82-85,共4页
Journal of Wuhan Institute of Education
基金
武汉科技学院美学重点学科基金项目(项目编号:2003P1012)