摘要
罗大经《鹤林玉露》主要从两个方面对诗“兴”进行了阐说:一,提出“兴”重“观物”,且要做到“静观”与“活观”的统一;二,强调“兴”意乃“赋”、“比”之归宗,去“兴”则“赋”、“比”无所归依。上述两方面,为古典诗“兴”理论的完善作出了贡献。
Luo Da- jing's works of Helinyulu mainly explain the poetry “xing” theory from two aspects: address“xing” importantly observing things, and achieve uniting sounding and living; emphasize “xing” is the religion of “fu” and “bi”, except “xing”, “fu” and “hi” will go back to nowhere. The foregoing two aspects, give a contribution for the perfection of the classical poetry “xing” theory.
出处
《赣南师范学院学报》
2005年第5期44-47,共4页
Journal of Gannan Teachers' College(Social Science(2))