摘要
1931年后,日本军国主义者侵占了中国东北地区,并一手炮制了伪满洲国。在日本强权统治下的1932-1945年,东北文坛发生了相应的变化,出现了别样的文学实践经验和文学生产机制。本文以当时的大型文艺杂志《艺文志》为标本,钩沉其办刊方式、文学作品,借此揭示其构筑的伪满洲国时期文学发展的状貌,并探讨强权挤压下文学独立的可能性。
Janpan invaded Northeast China in 1931, and made Puppet Manchou State. Under the high - handed illegal rule of the Japanese in the years 1932 - 1945, the Northeastern area of China bore its unique experience on literary practice and way of creating literature, thus providing a different style of literature under the colonial hale. The essay researches and recounts on literary periodicals of “Art and Literature Record”, aiming to describe the development of new literature in the Northeast during the period of Puppet Manchou State, and set off discussion on the possibility of literary independence.
出处
《求是学刊》
CSSCI
北大核心
2005年第6期101-105,共5页
Seeking Truth
关键词
伪满洲国
《艺文志》
文学
Puppet Manchou State
“Art and Literature Record”
literary works