摘要
终于批评意识的独立和本土意识的自觉，20世纪90年代以来的中国当代艺术是基于生存和生活的现状而呈现新的媒介和经验的。从多的艺术实验，或以“国际化”的背景，
After Chinese “comtemporary”image has found more and more room and freedom on the nation ,it has moves away from its original spirit and reduced itself to a kind of “tag”, so it has lost its self-spurring spirit during ist growing process, Thus , on one hand we should fully judge the value and meaning of Chinese contemporary art ,on the ather hand ,we shorld alert its hollowness and inadequate in the various possibilties of reality.
出处
《艺术当代》
2005年第6期22-23,共2页
Art China
