台湾新文学中的“陈三五娘”

“Chensan and Wuniang” in the Modern Literature of Taiwan

20世纪20年代,作为闽台地方文化载体的“陈三五娘”故事开始成为新文学作家的素材。佐藤春夫的《星》虽然重在人性描写,却难免流露身为日本作家的殖民者意绪。后续的台湾新文学创作,有的针对佐藤的舛误,强调了人物的忠烈民族精神(如章君穀的小说);有的借以显露台湾民性特征及特殊政治环境下的民众心态(如张深切的电影剧本)。吕诉上《现代陈三五娘》以方言俗语增添乡土色彩,并以人物的强烈抗争性体现封建束缚较为薄弱的边缘地区的地域特色。施叔青《行过洛津》重在表现粗砺生动、充满活力的移民社会与僵化的道德教条之间的对立和矛盾,揭示封建士大夫对于鲜活灵动的民间文学的窒息和扭曲。这些作品提示了闽、台之间的文化联系,以及闽台地方文化以其个性特征和活力对于中华文化整体的丰富。

In 1920s,as of Fujian-Taiwan local culture,the tale of “Chensan and Wuniang” has become the material of modem literature works.Though the Star written by SAKADOJONHU aim to portray the human nature,it is unavoidably to show the colonist＇mood as Japanese writer .In the subsequent modem literature works of Taiwan,some emphasized the strong national spirit,some revealed Taiwan Residents people＇s characteristic and feeling under the special political environment.The Modem Chensan and Wuniang written by Lü Su-shang reflected the local feature of the edge district where the bondage of the feudalism was weaker.Shi Shu-qing＇s Walking Through Luojin paied attention to exhibit the conflict between immigrant community and moral doctrines.These works have hinted the cultural contact of Fujian and Taiwan,manifested the characteristic vitality of the local Culture in Fujian-Taiwan and the abundance of Chinese culture.