从人生忧患到审美升华——王国维境界说的人文探幽

From Life Misery to Aesthetic Sublimation: Humanity Exploration on Wang Guo-wei's Realm Ideas

王国维的境界说是中国右代美学向近代美学转型的产物,也是中国美学与西方美学会通的结晶,其中极为明显地彰显出中国传统的人生与艺术相统一的忧患情结及其观念;王国维将境界的内涵首先理解成人格境界,然后再以人格境界推演到诗学境界这种阐释过程充满着强烈的主观性,真实地展露了他内心世界的矛盾;他将美学问题与改造国民人格问题相结合的人文忧思,是铸就其境界说的内在灵魂。

Wang Guo-wei＇s Realm Ideas are products from Chinese ancient aesthetics to contemporary aesthetics, also the crystals between Chinese aesthetics and west aesthetics. It obviously displays the misery complex and its ideology of Chinese traditional coordination between life and art. The connotation of Wang＇s Realm Ideas can be understood to be realm of personality, and then promoted to poetic realm. This illustration process is full of strong subjectivity, and truly exposes his inner contradictions. His humane worries combined aesthetic issues and improvement of people＇s personality issues are internal souls to set up his Realm Ideas.