时代精神碎片的整理方式——20世纪90年代诗歌简论

How to Settle the Spiritual Fragments——On the poetry since 1990's

20世纪90年代以来的诗坛主要活跃着四个写作群体:主旋律诗歌写作群体、“知识分子写作”群体、“民间写作”群体和“边缘性写作”群体。在历史总体性解体的情势下,诗歌写作的题材一步步转向边缘的、幽暗的、具体的、形而下的领域,具有碎片性质。为了整合新的写作资源,诗人们纷纷调整自己的写作立场和诗学趣味,开始以个性化的抒情方式介入复杂的现实生活,使得当代诗坛呈现出一种诗歌美学形态多元共生的繁复局面。西川、王家新、欧阳江河、伊沙、侯马、臧棣、沈苇、冉冉、杨晓民等的诗歌则在不同的向度上展示出了90年代以来的诗歌写作实绩和特征。

There are four basic poetic groups named Orthodox cantus - writing, Intellectual writing, Civilian writing and Brink - writing in the Parnassus since 1990＇ s. Being broken of the grand narrative, the writing materials for poetry have been turning to be fringe, gloomy, idiographic and physical, which displayed a kind of quality of fragment. In order to synthesize the writing resources, the poets continually modified their standpoint of poetics, and went deep into the complexity of existence by a way of individual singing. As a result, the contemporary poetry has been seeing an active situation, in which plural poetic styles could be got along with. Those poets, XI Chuan, WANG jia - xin, OUYANG Jiang - he, YI Sha, HOU Ma, ZANG Di, SHEN Wei, BAN Ran and YANG Xiao - rain, had created many representative poems. Their writings reflected the accomplishment and the characteristics of poetry since 1990＇ s.