摘要
柳永词之传播与接受在明代迅速复苏,其词史地位亦得到大幅提升。此期柳永词因其言婉情真而被众多词籍大量著录,传播之势大盛,但雅派词籍的没落也反映出明人词学趣味的单一与偏执。柳永词的接受则显、隐双线并行,不但其绮语真情得到众多士人的推崇,其内在的平民化、通俗化艺术趣味与审美追求亦得到深度认同与广泛接受。
It was during Ming Dynasty that Liu Yong's Ci regained its spread and reception and its importance in the history of Ci was enhanced. Because of the restrained lyrics and true expressions of affection, Liu Yong' s Ci was selected and collected in a bulk of Ci collections. Meanwhile, the decline of the school of Elegance reflects the dull taste of Ming poetics. The popularity of Liu Yong's Ci is characterized with explicitness and implicitness. Not only are the ornate words and true affections widely appreciated, hut also the vulgarization and popularization of inward artistic interests and aesthetic pursuit are extensively and deeply accepted.
出处
《江南大学学报(人文社会科学版)》
2005年第5期67-70,共4页
Journal of Jiangnan University:Humanities & Social Sciences Edition
关键词
柳永词
传播
接受
明代
Ci by Liu Yong
spread
reception
Ming Dynasty