摘要
岩画作为讨论艺术起源的对象,直接指向原始人类开始产生有意识的创造活动的代表,然就艺术范畴而论,此种原始绘画形式的内涵是否能够满足艺术创造的确切涵义,抑或是岩画更倾向表示了原始人类对自我认识的过程。朱狄在《艺术起源》一书中,从考古学、人类学、民族学以及心理学等方面,探讨原始艺术的发生,因而引发此中之重新探索。
The cliff painting points to the primitive men and the representatives of their creative activities directly as the topic in the discussion of the artistic origin, but from the viewpoint of artistic category, the question is whether the intension of such primitive painting can meet the precise meaning of art creation, or the rock painting inclines to show the primitive men's self knowledge. In his Artic Origin Zhu Di probes into the emergence of primitive art from such angles as archaeology, anthropology, ethnology and psychology, causing another exploration of the origin.
出处
《大连大学学报》
2005年第5期38-41,共4页
Journal of Dalian University
关键词
艺术起源
岩画
自觉意识
朴素
artistic origin
rock painting
consciousness
simplicity