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高师美术教育国画专业素描教学的思考 被引量:1

An Analysis of Charcoal Drawing Teaching for Students Majoring in Traditional Chinese Painting in Fine Arts Education in Normal Universities
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摘要 在国画专业教学中,传统线描主要注重线条的表现,对体的关注比较少,因而存在一定的局限性。当前国画的创作已突破了只注重线条的定式,尤其在借助块面和明暗的作用等方面呈多样化形式。因此只重线描的训练局限了学生对当代国画特性的把握,影响了其国画创作的流畅性。应加强线性素描课在国画教学中的应用,通过线性素描观念和技法方面的训练,来提高学生的造型能力,培养学生的现代国画意识。 In teaching traditional Chinese painting, the traditional line drawing focuses mainly on the representation of line and little on object. So there are some limitations. However, traditional Chinese painting nowadays has made a breakthrough in only using lines. Now there are a variety of forms that can be used, such as block, light and shade. Therefore, if we only train the students in line drawing, there will be bad effects on their good command of the nature of the modem Chinese painting and the smoothness in drawing. It is stated in this article that in order to enhance the students' formative ability and raise their awareness of modem Chinese painting, line drawing should be strengthened in teaching and an emphasis should be laid on both the eoncept and the training of the teehniques in line drawing.
作者 李兰平
机构地区 西华师范大学
出处 《上饶师范学院学报》 2005年第5期81-84,共4页 Journal of Shangrao Normal University
关键词 国画 线描 线性素描教学 traditional Chinese painting line drawing llne drawing teaching
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参考文献1

  • 1顾炳鑫.总结经验促进发展[A].中国画人物技法[C].北京:人民美术出版社, 1981.

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