“忘”在中国古代美学中的价值生成

The Values Derivation of "Neglectness" in Ancient Chinese Aesthetics

“忘”在中国古代既是一个哲学范畴,也是一个美学范畴。由哲学意蕴向美学意蕴的转化,标示着“忘”的美学价值生成。本文从老庄哲学中有关“忘”论述的个案入手,试从“坐忘”的体道方式、“澄怀”的审美观照和“无我”的审美至境三个阶段勾勒出“忘”的美学价值生成过程,并在论述过程中从艺术创作和艺术化人生构建二个方面谈其重要生成价值。

“Neglectness” belongs to the philosophical field as well as aesthetical field in ancient China. The transition from philosophical meaning to aesthetics meaning signifies the birth of aesthetical value from “neglectness”. The paper that takes individual cases concerning the argumentation of “neglectness” in the philosophy of Chuang Tzu depicts this process from the comprehension of “sitting immersing in emptiness”, the aesthetic view of “eliminating distracting thoughts and savouring images” and the artistic conception of “universal union”, and presents its value in ancient aesthetics by means of artistic construction, the creation of artistic life at the same time.