摘要
科尔沁蒙古族萨满教的博曲在蒙古民族漫长发展过程中不断产生、演变和发展成熟。其极具特色的音乐艺术形式从产生之初就与古老的宗教仪式联系密切。口传心授不存谱例的流传形式、增加宗教仪式神秘感的变化音、特殊的调式色彩都是值得研究和思考的。
The Bo melody of Mongolian Shamanism in Horchin had been coming into being, evolving and developed and becoming mature in he long process of the development of Mongolian people. From its very beginning, its characteristic music art form has been closely related to the ancient religious ceremonies. The passing form of the oral spreading and the teaching in heart without rules has accumulated its sense of religious secret and produced more inflexion, special melody forms which are worthy of being researched and considered.
出处
《内蒙古大学艺术学院学报》
2005年第2期31-36,共6页
Journal of Art College of Inner Mongolia University
关键词
科尔沁
蒙古族
萨满教
博曲
变化间
Horchin
Mongolian people
Shamanism
Bo melody
inflexion