先锋电影:理论及其观众心理分析

VANGUARD FILM:THE THEORY AND THE ANALYSIS OF PSYCHOLOGY OF THE AUDIENCE

20世纪20年代出现的欧洲先锋电影运动被认为是一次“精英运动”,是精英性和违背了观众的惯常审美心理导致其迅速消逝。但对观众的审美心理作出分析的话就会发现先锋电影迅速消逝的原因并不是它违背了观众的审美心理,而是由于观众感知积累的缺乏;精英性也并未导致先锋电影走向尽头,反而使其摆脱了早期的“杂耍”身份,成为了20世纪整个现代主义文化的一条支流。

The Vanguard Film Movement of the 1920s has been considered as a Finest Intellectual movement. Its ending was due to the characteristic of the Finest Intellectual and the violation of the psychology of the audience. But after analysing the appreciation of the beauty of the audience＇s psychology, we could find that the reason of the movement＇ s ending was not of the violation of the audience＇ s psychology. It was of the absence of the accumulation of the perception of the audience. The characteristic of the Finest Intellectual didn＇s lead to the ending of the Vanguard Film. On the contrary it had got rid of the “vandeville” identification of the film and come into being a branch of the whole culture of modernism.