摘要
郭沫若是为中国人民谋求人权的杰出战士,也是设计人权治国方略的先行者,他的六部抗战史剧,称得上这方面的力作。剧本依靠舞台形象所昭示的人权真理的内涵,主要包括三个方面:批判剥削阶级破坏人权的罪行,歌颂人民大众争取人权的壮举,揭示人权与国权的内在联系。
Guo Moruo is not only a preeminent fighter for human rights of Chinese, but also a pioneer of ruling a country by human rights, His six anti-war dramas are considered as his declaration of such idea. The synopses of the dramas show the contents of human rights in three aspect: criticize the exploiting class its destruction of human rights; praise people their feat of struggling for rights; reveal the inner relation between human rights and the nation.
出处
《西华大学学报(哲学社会科学版)》
2005年第5期16-19,共4页
Journal of Xihua University(Philosophy & Social Sciences)
基金
四川省教育厅重点课题<郭沫若历史剧研究>
关键词
郭沫若
抗战史剧
内容
人权真理
Guo Momo
Anti-war dramas
contents
human rights