摘要
来自神话和《圣经》等西方经典的原始场景作为文化编码存在于西方许多作家的潜意识中,在他们笔下或被继承或被颠覆。本文拟从原型批评的角度对尤金·奥尼尔的《榆树下的欲望》所体现的神话原型及对以男权为中心的圣经场景的颠覆进行分析。
Primeval scenes from myths and some classics like Bible are considered the most ancient layer of cultural accumulation, which, existing in the unconscious of many western writers, is inherited or overturned by successive generations. This paper presents the influence of the Greek myths and the story of Genesis on Eugene O＇Neill＇s Desire Under the Elms and his overturn of the man-centered biblical scene via the theory of myth and archetype.
出处
《广东外语外贸大学学报》
2005年第4期35-37,60,共4页
Journal of Guangdong University of Foreign Studies
关键词
榆树下的欲望
圣经场景
原型
颠覆
Desire Under the Elms
biblical scene
archetype
overturn
