摘要
唐末诗僧皎然想给诗歌创作树立一个理想的艺术准则,于是创作了《诗式》,使之能“庶几有益于诗教”,能使“无天机者坐致天机”,但是《诗式》对谢灵运的诗歌评价与对唐代诗人的评价存在着明显的局限。
In later Tang Dynasty the elegance was fading away in the poetry world. Facing the complexion , Jiaoran, a poet and monk, wrote Shi Shi to set a guide line for poetry creation in order to be beneficial to poetry education . But in the whole text of Shi Shi, there exist obvious limitations on the comment about Xie Lingyun's poems and the poets in Tang Dynasty.
出处
《长江大学学报(社会科学版)》
2005年第5期27-28,共2页
Journal of Yangtze University(Social Sciences Edition)
关键词
《诗式》
皎然
谢灵运
陶渊明
唐诗
Shi Shi
Jiaoran
Xie Lingyun
Tao Yuanming
Tang poems