郁达夫和川端康成:邂逅于“悲哀”之径

Yu Dafu Meets Kawa Hasi on the Way of Sadness

在东方传统悲感文化、西方世纪末思潮以及个体遭遇的交融、契合下,郁达夫和川端康成皆自觉选择和追求“悲哀”这一美学品格,深入挖掘人性,揭示自我在现实世界中的痛苦境遇,然而又因各自不同的社会环境和人生体验,使这一美学品格在同现实的关系质方面呈现出不同的特征。

Because of the mergence of the traditional oriental culture of sadness, the western idea of the end of the world, and the personal experience, the Chinese writer Yu Dafu and its Japanese eounterpart Kawa Hasi offered to pursue sadness in their works, studying the human nature and revealing their depressed experiences in the reality. But due to different social backgrounds and personal experiences, their deseription of sadness differ from each other in aeeounting for the relationships between sadness and the reality.