摘要
1949~1978近30年的时间里,处在计划经济时代的中国音乐创作和音乐传播,由于特殊的社会历史背景,教化大众成了这一时期的主题.音乐成为一种宣扬和贯彻政府意识形态的工具,其娱乐功能、审美功能只是附载在它的政治和道德功能之上.本文以计划经济时代最具权威性和影响力的<歌曲>、<人民音乐>、<音乐创作>等音乐传播媒介为研究对象,对特殊时期的音乐创作和传播进行理论探讨.
From 1949 to 1978, it is near 30 years that China in the era of planned economy, and within this special social background, both of the Chinese music creation and communication had the same subject: to moralize the masses, to service the politics. As a kind of tools to publicize and carry out the governmental ideologies, that the music itself functions of amusement, aesthetic were iust attached to politics and morality. The writer chose Songs, People's Music, and Music Works as exampies, to discussed academically the music creation and communication during that particular time.
出处
《黄钟(武汉音乐学院学报)》
CSSCI
北大核心
2005年第4期8-11,39,共5页
Huangzhong:Journal of Wuhan Conservatory of Music
关键词
教化大众
计划经济时代
音乐传播
音乐创作
媒介控制
moralizing the masses, era of planned economy, music communication, music creation, medium control